Her ever-devout fans did their best to muster up their enthusiasm, but all of the goodwill that Jackson had garnered over the years evaporated at a fast pace, and to put that into perspective, consider this: without exception, every single charting song Janet released between 19 made its way into the US Top 40, an astonishing feat for any artist. Following the astonishing success of 2001’s effervescent All For You, Jackson’s next two efforts, 2004’s Damita Jo and the career nadir that was 2006’s 20 Y.O., tried their best to recreate All For You‘s playful vibes but ended up feeling hollow, crass, and painfully uninspired. Jon Cohen, EVP of Recorded Music at BMG US regarding comeback single “No Sleeep”, Billboard (23 July 2015)Īt this point in her life, Janet Jackson owes us nothing.Īfter spending the first 15 years of her career topping charts, selling out stadiums, and becoming one of the most reliable hitmakers and prominent icons in all of pop music, Jackson spent most of the 2000s doing something we didn’t even think was possible: she got boring. With Janet, if she doesn’t put out a cross-format smash right out of the box, people think it isn’t a success, but that’s not it. “I think there’s a desperation to a lot of the older divas.

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